Thoughts from BookMachine’s latest event ‘Scholarly Publishing: Crossing the Rubicon’ The Jam Factory, Oxford, 7 September 2017
Last Thursday, as I trundled slowly towards Oxford (kicking myself for accidentally catching a slow train – who knew there were quite so many stations between Reading and Oxford?!) I wondered what was in store at BookMachine’s latest event, ‘Scholarly Publishing: Crossing the Rubicon’. The venue, The Jam Factory, Oxford, was alive with conversation and had a very welcoming atmosphere. Winding my way through tables of busily socialising people, I found the room where the discussion was taking place.
In New Orleans, Jazz began its history around 1895 with the cornetist Buddy Bolden, whom Adrian Troy called Jazz’s first great exponent. Bolden was depicted by Michael Ondaatje in his 1976 novella Coming through Slaughter as a jazz pioneer, struggling with alcoholic psychosis. Writing in The Times in 1992, Clive Davis also named Bolden the first legendary New Orleans jazz figure – legendary in that unlikely tales surround his mythical status, such as that ‘on certain nights, his playing could be heard miles away.’ Unfortunately, no recordings of Bolden are known to exist and despite the allure of rumored cylinder recordings dating to 1894 we only have the likes of Ondaatje’s novella to evoke the sound of one of the world’s first Jazz icons. Continue reading →
Sixty-five years ago this week, on the 2nd September 1952, surgeons at the University of Minnesota, Floyd John Lewis (1916-1993) and Walton Lillehei (1918-1999), made medical history by performing the first successful open heart surgery. It was a milestone in cardiac surgery – as little as 25 years earlier, such an operation would have been seen as practically impossible. What developments in medical practice led to this landmark?