By Tiria Barnes I am currently a third-year History student at the University of Liverpool, hoping to graduate with an extensive knowledge of the Transatlantic Slave Trade and good quality banter. When I’m not in the library plugging Gale’s amazing resources, I am usually in a hipster independent coffee shop sipping on a cheeky chai latte. Some of my passions include Jesus, street dance, and charity shops.
The International Slavery Museum, situated in Liverpool’s Albert Dock, explores the transatlantic slave trade and its permanent impact on our world. The museum opened in 2007, the bicentenary of the abolition of the slave trade in 1807, and has welcomed more than 3.8 million visitors. As suggested by the museum director, David Fleming, the museum does not claim to be a ‘neutral space’. Instead, it attempts to be an active voice in countering racism and promoting the equality of opportunities. The exhibit is also committed to expressing the bravery of the slaves, opposing the notion that they were merely victims. I thought it would be interesting to explore articles written about the International Slavery Museum using Gale Primary Sources, to learn more about the different ways the museum has been perceived.
By Daniel Mercieca, Gale Ambassador at Durham University Daniel Mercieca is an English Literature finalist and Presidentof both the English Literature Society and Bede Film Society at Durham University. His main research interests are imagined spaces in film and screen adaptation, with further interests in memory and motion in twentieth-century and Romantic poetry. Dan enjoys the independence of thought, interdisciplinary and experimental aspects of studying English and aims to achieve an MA in Film and/or Literature. Dan enjoys lyricism and landscapes in the works of Thomas Hardy, Virginia Woolf, Samuel Taylor Coleridge, Charlotte Smith and Sylvia Plath. His favourite directors include Alfred Hitchcock, Darren Aranofsky, Martin Scorsese and Christopher Nolan for their suspense, soundtracks and cinematography. If he is not reading books or watching films then he is probably writing, running or trying something new.
Evelyn Waugh is best known today for his delicately crafted satirical novels of the 1930s including Decline and Fall, Vile Bodies and Scoop. Only in Waugh do you find such precise comic timing and snappy diction: “Who’s that dear, dim, drunk little man?’ ‘That is the person who shot my son.’ ‘My dear, how too shattering for you. Not dead, I hope?” (Decline and Fall).
We know that the Stuart Papers were acquired by George IV when he was Prince Regent (1811-1820) following the death of Henry Benedict Stuart, Cardinal York, the final Jacobite heir, and that it was around this time they were moved from Rome back to the UK. They’re now housed in the Royal Archives, Windsor Castle. I decided to search through Gale Primary Sources, focusing particularly on newspapers and periodicals, to see if I could find out more about how the papers of the exiled Jacobite heirs returned to the UK, and how it has been reported in the press at that time, and since. The initial discovery of the Stuart Papers and their subsequent journey from Rome to Windsor Castle makes fascinating reading.
In the UK today, we associate fireworks with the fifth of November and (as the well-known nursery rhyme goes…) gunpowder, treason and plot. For many of us, fireworks are inextricably bound up with the smell of bonfire smoke, and standing in a park or sports ground, ankle deep in mud, waiting for the audio system to work. This is often combined with the unfettered glee of riding a fairground ride that appears never to have been safety tested! And of course, we all know and love the various fireworks themselves: the rockets, Roman Candles, Catherine Wheels, Golden Rain and sparklers. Perhaps your personal favourites are those that burst in gold, and then fizz silver? Maybe those that screech and scream? Or those that launch in a splendid spray of red and blue and then ‘phut’ into nothingness? Or the slow burner… refusing to go off until someone has cautiously poked it with a stick, whilst the others watch terrified that it should explode in the face of the poker… Firework night: a time of education and entertainment for all!