By Rebecca Bowden, Associate Acquisitions Editor
Having joined Gale in December 2017 with a background in business to business publishing, I am enjoying learning more about the world of digital archives. I love the diversity of Gale’s archives, and discovering the unique stories hidden within them. In my spare time I like doing a variety of unusual sports, a lot of baking, and curling up with a good book.
‘The community was already in mourning… they were really frightened when their young ones go out, because they don’t know when the police be knocking the door.’
Interview with an anonymous source by Dr Gavin Bailey, Manchester Metropolitan University and Dr Ben Lee, Lancaster University, 2015, which will be featured in Gale’s new archive Political Extremism and Radicalism in the Twentieth Century archive, releasing in June 2018.
By Lina Gerle
Lina Gerle is a Gale Sales Representative covering the Nordic countries and the Baltics. She joined Gale in 2015 but has more than 10 years’ experience working with Gale resources from her previous career as a local agent. She likes working for Gale because she it gives her the opportunity to be a researcher herself, mapping out the needs of faculty across the territory. When not visiting university libraries or delving in to the Gale archives, she likes talking about big and small things with her children, eating good food and lifting weights.
As Finland celebrates 100 years of independence this year, festivities will be mixed with contemplation of the country’s dramatic history, which has involved complicated relationships with its neighbouring countries, bloody battles and other momentous events which led up to the declaration of independence on December 6, 1917. I decided to delve into Gale Primary Sources to see what I could find out about this tumultuous history.
In the UK today, we associate fireworks with the fifth of November and (as the well-known nursery rhyme goes…) gunpowder, treason and plot. For many of us, fireworks are inextricably bound up with the smell of bonfire smoke, and standing in a park or sports ground, ankle deep in mud, waiting for the audio system to work. This is often combined with the unfettered glee of riding a fairground ride that appears never to have been safety tested! And of course, we all know and love the various fireworks themselves: the rockets, Roman Candles, Catherine Wheels, Golden Rain and sparklers. Perhaps your personal favourites are those that burst in gold, and then fizz silver? Maybe those that screech and scream? Or those that launch in a splendid spray of red and blue and then ‘phut’ into nothingness? Or the slow burner… refusing to go off until someone has cautiously poked it with a stick, whilst the others watch terrified that it should explode in the face of the poker… Firework night: a time of education and entertainment for all!
By Becky Wright I joined Gale in 2015 as Content Researcher. I completed my MA in Historical Research at the Institute of Historical Research and am delighted to work in a role where I can indulge my love of all things history. I’m based in London and, when I’m not surrounded by books and manuscripts in various libraries and archives, I love exploring all that my home city has to offer.
This year marks the 350th anniversary of the Dutch raid on the Medway in June 1667. Commemorative events have been taking place at the historic dockyards in Chatham throughout the summer. Continue reading →
In New Orleans, Jazz began its history around 1895 with the cornetist Buddy Bolden, whom Adrian Troy called Jazz’s first great exponent. Bolden was depicted by Michael Ondaatje in his 1976 novella Coming through Slaughter as a jazz pioneer, struggling with alcoholic psychosis. Writing in The Times in 1992, Clive Davis also named Bolden the first legendary New Orleans jazz figure – legendary in that unlikely tales surround his mythical status, such as that ‘on certain nights, his playing could be heard miles away.’ Unfortunately, no recordings of Bolden are known to exist and despite the allure of rumored cylinder recordings dating to 1894 we only have the likes of Ondaatje’s novella to evoke the sound of one of the world’s first Jazz icons. Continue reading →
Sixty-five years ago this week, on the 2nd September 1952, surgeons at the University of Minnesota, Floyd John Lewis (1916-1993) and Walton Lillehei (1918-1999), made medical history by performing the first successful open heart surgery. It was a milestone in cardiac surgery – as little as 25 years earlier, such an operation would have been seen as practically impossible. What developments in medical practice led to this landmark?
On August 26th 1883, Krakatoa erupted. Not, of course, out of a clear blue sky; ash columns and steam plumes had been filling the sky over the island and its archipelago for days, the area had been experiencing tremors and earthquakes for years, and smaller explosions had been throwing up ash, changing the tides and, presumably, worrying the locals for months.
If you have ever met an English football fan, you will understand why the year 1966 is inscribed into the cultural memory. World Cup tournaments are generally remembered for three things: the winning team, the star players, and the surprise package that the neutral fans get behind. While England’s victory and Eusebio’s brilliance provide the first two, the third – the North Korean team – has been lost to history.
It was 50 years ago this week that The Beatles issued their ground-breaking album, Sergeant Pepper’s Lonely Hearts Club Band. The third biggest-selling album in the UK (and the top-selling when compilation albums are removed)  it remains one of the most influential and recognised albums 50 years after its release (although personally, I prefer Revolver). I took a look back through the collections in Gale Primary Sources to see what I could find out about this iconic album.
In the December 21, 1867 issue of the Illustrated London News there appears a striking full-length portrait of a samurai. He is neatly dressed in formal kimono, his left hand holding a sword and his right hand resting on a stool, calmly gazing towards the viewer. Something is odd about this picture, however: the sword looks too large for his body, his forehead too high, and his entire stature seems rather diminutive, even for a Japanese.