By Calvin Liu, Gale Ambassador at the University of Oxford I am a second year English student at University College, Oxford – and the Gale Ambassador for Oxford University. I am a huge lover of everything Romantic and Modernist – from Wordsworth to Woolf. When I am not in the depths of an essay crisis, I spend my time collecting fountain pens and looking at old books. Born and raised in Hong Kong, I am still getting to grips with the English weather and am partial to punting picnics on a rare sunny day.
Remembrance is repetition.
As Laurence Binyon’s poem, often the highlight of memorial services, puts it: ‘They shall grow not old, as we that are left grow old:/ […]/ We will remember them.’ Ways of memorialising the world wars, too, seem never to grow old and are reinforced through recurrence. Remembrance is ritualised by each poppy-wearing politician, each BBC documentary, each Ian McEwan novel. The narratives have been retold so many times that they grow hazy and the details blend together – battle trenches upon Maginot Lines. It almost comes as a shock to be reminded that twenty-one years elapsed between the two world wars that we now jointly remember on one day. Twenty-one years during which the world regularly reminded itself of the last great war, before rushing into another. Gale Primary Sources provides a plethora of primary sources that poignantly illustrate how the world wars were both remembered and anticipated during the interwar period.
By Megan Murphy, Gale Ambassador at the University of Liverpool I’m a third year History student at the University of Liverpool, a Gale Student Ambassador, and a self-proclaimed Jane Austen fanatic. As a modern historian, my main research interests revolve around the development of Victorian cities – particularly the crime and deviance that took place within them. Outside of my studies, in the rare time I spend without my head in a nineteenth-century newspaper, I specialise in binge-watching Louis Theroux documentaries.
The hit BBC drama series Peaky Blinders – which is set in Birmingham and follows the lives of the Shelby brothers and their criminal gang the ‘Peaky Blinders’ – has captivated the minds and imagination (and – thanks to lead star Cillian Murphy – the hearts) of the British public. Given the recent fascination with Birmingham’s criminal underworld that the series has generated, I thought it would be interesting to use Gale Primary Sources to investigate the ‘real’ Peaky Blinders of late nineteenth-century Birmingham.