Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway Paula Maher Martín estudia su último año de Literatura Inglesa y Clásicas en la National University of Ireland, en Galway. Interesada en el lenguaje como un medio para reflejar y transcender de manera simultánea la experiencia humana, planea realizar investigación de posgrado en Literatura Inglesa, centrada en la construcción metafísica de la realidad en la literatura modernista. Disfruta leer a Nancy Mitford, Leo Tolstoy, Evelyn Waugh o Gustavo Adolfo Bécquer, del viento, de la música del mundo, de vagar inmersa en abstracciones filosóficas, de escribir poesía en clase y de enamorarse de los personajes de los cuadros.
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Germania, una descripción aparentemente inofensiva de los territorios, costumbres y tribus de los germanos por el historiador romano del siglo I Cornelio Tácito, fue ensalzada por los alemanes nazis como un estandarte: un retrato del ario primitivo; virtuoso, intrépido y fuertemente militarizado, cualidades que habían reverberado a lo largo de los siglos y que sustentaban la identidad racial del alemán moderno.
By Paula Maher Martín, Gale Ambassador at NUI Galway Paula Maher Martín is a third-year student of English and Classics at the National University of Ireland, Galway. Interested in language as a means of simultaneously reflecting and transcending human experience, she plans to do postgraduate research in English, with a focus on the metaphysical construction of reality in Modernist literature. She enjoys reading Nancy Mitford, Leo Tolstoy, Evelyn Waugh or Gustavo Adolfo Bécquer, the wind, the music of the world, wandering immersed in philosophical abstractions, writing poetry in lectures and falling in love with characters in paintings. Paula is blogging for Gale in both English and Spanish.
The Germania, an apparently harmless description of the territories, customs and tribes of the Germani by 1st century Roman historian Cornelius Tacitus, was acclaimed by Nazi Germans as a banner: a portrait of the primitive Aryan; ‘virtuous, fearless and heavily militarized’, qualities the Nazis felt had reverberated through the centuries and supported the racial identity of the modern German.
by Rory Herbert I am a third year History student and President of the History Society at the University of Portsmouth. I enjoy trying to grapple with the vastness and complexity of this subject, and the challenges it can present. On the rare occasions that I have free time, I can be found playing hockey or researching historical facts and events.
James Greenwood was an author of relative obscurity who came to fame abruptly following the publication of his serial A Night in the Workhouse in the 1860s by the Pall Mall Gazette. He soon found himself rising through the ranks of the Victorian social ladder and became one of the leading social commentators of his age. This revolutionary piece saw Greenwood experience the conditions of a workhouse firsthand in one of the first examples of investigative journalism. Yet, while his work was quickly adopted by social reformers and critics alike, it seems the author himself was somewhat less interested in the people he claimed to support and, instead, focused on appealing to a wider audience.
By Anna Sikora: Anna Sikora is a tutor, part-time teacher, and final year PhD student in the Discipline of English, National University of Galway, Ireland. She is examining the works of John Wyndham, author of over 60 short stories and 12 novels, including the famous The Day of The Triffids (1951) and The Midwich Cuckoos (1957). Anna is interested to see when and why science fiction authors began to show an awareness of environmental issues, and how this was demonstrated in their work. She is adopting some of the concepts of environmental criticism (ecocriticism) to ask how environmental concerns are articulated in fiction, and whether literature can, and should, influence our daily environmental choices or the ways in which we interact with the environment.
Ecocriticism (environmental criticism) is not exactly new to the humanities, as it has been around for nearly a quarter of a century, but it is the latest to join the set of lenses – such as Marxism, Postcolonial theory and Feminism – through which students are invited to read literature. Do these theoretical frameworks enhance our understanding of literature and the creative process behind writing? Perhaps yes; perhaps no.
By Lina Gerle
Lina Gerle is a Gale Sales Representative covering the Nordic countries and the Baltics. She joined Gale in 2015 but has more than 10 years’ experience working with Gale resources from her previous career as a local agent. She likes working for Gale because she it gives her the opportunity to be a researcher herself, mapping out the needs of faculty across the territory. When not visiting university libraries or delving in to the Gale archives, she likes talking about big and small things with her children, eating good food and lifting weights.
As Finland celebrates 100 years of independence this year, festivities will be mixed with contemplation of the country’s dramatic history, which has involved complicated relationships with its neighbouring countries, bloody battles and other momentous events which led up to the declaration of independence on December 6, 1917. I decided to delve into Gale Primary Sources to see what I could find out about this tumultuous history.
In the UK today, we associate fireworks with the fifth of November and (as the well-known nursery rhyme goes…) gunpowder, treason and plot. For many of us, fireworks are inextricably bound up with the smell of bonfire smoke, and standing in a park or sports ground, ankle deep in mud, waiting for the audio system to work. This is often combined with the unfettered glee of riding a fairground ride that appears never to have been safety tested! And of course, we all know and love the various fireworks themselves: the rockets, Roman Candles, Catherine Wheels, Golden Rain and sparklers. Perhaps your personal favourites are those that burst in gold, and then fizz silver? Maybe those that screech and scream? Or those that launch in a splendid spray of red and blue and then ‘phut’ into nothingness? Or the slow burner… refusing to go off until someone has cautiously poked it with a stick, whilst the others watch terrified that it should explode in the face of the poker… Firework night: a time of education and entertainment for all!
By Masaki Morisawa, Senior Product Manager, writing from our Gale Asia hub in Tokyo.
In the December 21, 1867 issue of the Illustrated London News there appears a striking full-length portrait of a samurai. He is neatly dressed in formal kimono, his left hand holding a sword and his right hand resting on a stool, calmly gazing towards the viewer. Something is odd about this picture, however: the sword looks too large for his body, his forehead too high, and his entire stature seems rather diminutive, even for a Japanese.
14th July is the day of “fête nationale” in France, or “Bastille Day” as it is known in English, falling on the anniversary of the storming of the Bastille prison on 14th July 1789, in the early days of the French Revolution. It is a day of popular celebrations, grand military parade and lavish fireworks. Contrary to the 4th of July, the American Independence Day celebrating events of 1776, the 14th July was slow to establish itself firmly as a date of national celebrations in France. The chequered history of this holiday can been traced in Gale’s rich newspapers archives. Continue reading →
by Seth Cayley Seth Cayley is the Director of Research Publishing at Gale International, a part of Cengage Learning. He and his team are responsible for commissioning and creating Gale’s award-winning digital archive products.
Can cocaine really cure sea-sickness? Something tells me that very little peer-reviewed research has been done on the subject in recent years. But that didn’t stop the Victorians. From around 1870-1915 a large number of narcotics, including heroin, were widely and legally available, and often packaged as medicines. Historians have dubbed this period before the first international drug control treaties as “The Great Binge”. Continue reading →