On 31st October 1918, Stonehenge was gifted to the nation by local landowner Cecil Chubb. As has been widely reported in the media, English Heritage are running a series of projects and events to celebrate the centenary, including the fascinating recreation of photographs taken by visitors to the stones during the ‘50s, ‘60s and ‘70s in their ‘Then and Now’ Project.
Yves Klein calls his pictures “Propositions.” He very carefully roughens the surfaces so as to express his sensibility. Then he invites the spectator to share the artist’s sensibility by “allowing the mind to plunge into the heart of the colour.”
The debate around modern art versus representational art had begun by the 1950s. The pages of The Listener had followed the debates, as a subject that had “often led to controversy”. Modern art was perceived as an area where “execution determines design instead of design determining execution”, and the modern artist “has done away with the rational meaning of the subject-matter required in traditional art and allows unconscious phantasy to express itself more clearly”. Klein, as the emerging face of modern art, represented this, arguing “that our primary ocular sensation is that of colour, and that he, as an artist, wishes to free this sensation of colour from all extraneous or limiting circumstances.”
“If you fancy a long weekend with a difference,” writes The Times’ travel section of 18 February 2006, “Regent Travel has a five-day break to Pyongyang, North Korea’s highly planned capital”. The article then mentions, as one of the highlights of the tour, that “You’ll also get to board USS Pueblo, the U.S. spy ship captured in 1968.”
By Becky Wright, Gale Content Researcher
I joined Gale in 2015 as Content Researcher. I completed my MA in Historical Research at the Institute of Historical Research and am delighted to work in a role where I can indulge my love of all things history. I’m based in London and, when I’m not surrounded by books and manuscripts in various libraries and archives, I love exploring all that my home city has to offer.
Gale’s digital collections include a wealth of newspapers, journals and periodicals. From The Times Digital Archive to the newspapers in the 17th and 18th Century Burney Collection, and from the International Herald Tribune to Missionary, Sinology and Literary Periodicals published in China, researchers have access to a vast array of English-language journalism, spanning centuries and continents. With the inclusion of early newspapers and periodicals in the resource Early Arabic Printed Books from the British Library, this archive offers researchers the opportunity to trace the development of Arabic print journalism as well. While the digital collection was being created, I was lucky enough to see some of the originals at the British Library. I was struck by the diversity of the journals, both in subject matter and appearance, but such variety is not so surprising considering the titles span more than thirty years (1861 to 1899) and were produced in several different countries.
By Emery Pan, Gale Editor in Beijing
Emery Pan is a Gale Editor based in Beijing. Emery joined Gale last October, after serving as Rights manager for a Chinese publisher and translator for a German bank consultancy firm. Emery likes working for Gale because this position gives her a wonderful opportunity to learn and read. When not assisting in editing Gale titles, Emery likes playing music, cooking, and spending time with her beloved family and friends.
On April 17, 1895, the first Sino-Japanese War (hereinafter, the “War”) came to a truce, and a treaty was signed at the Japanese city of Shimonoseki. Newspapers around the world competed with each other to report on this event. Japan: an ancient, mysterious country and a new power rising from the Far East dominated all the headlines that day. It is universally acknowledged among those with any knowledge of history that a treaty never ends the chaos, instead it gives rise to new conflicts. The Treaty of Shimonoseki is no exception.