In New Orleans, Jazz began its history around 1895 with the cornetist Buddy Bolden, whom Adrian Troy called Jazz’s first great exponent. Bolden was depicted by Michael Ondaatje in his 1976 novella Coming through Slaughter as a jazz pioneer, struggling with alcoholic psychosis. Writing in The Times in 1992, Clive Davis also named Bolden the first legendary New Orleans jazz figure – legendary in that unlikely tales surround his mythical status, such as that ‘on certain nights, his playing could be heard miles away.’ Unfortunately, no recordings of Bolden are known to exist and despite the allure of rumored cylinder recordings dating to 1894 we only have the likes of Ondaatje’s novella to evoke the sound of one of the world’s first Jazz icons.
It was 50 years ago this week that The Beatles issued their ground-breaking album, Sergeant Pepper’s Lonely Hearts Club Band. The third biggest-selling album in the UK (and the top-selling when compilation albums are removed)  it remains one of the most influential and recognised albums 50 years after its release (although personally, I prefer Revolver). I took a look back through the collections in Gale Primary Sources to see what I could find out about this iconic album.
Elvis Presley was just 41 when he died in August 1977. So much had been achieved in just over twenty years; a young country boy had risen exponentially to become one of the biggest – perhaps even the biggest – icons of twentieth-century popular culture. Looking back over his career with Gale’s digital archives reveals a more personal, introverted side to the man who became known as ‘the King’.