In New Orleans, Jazz began its history around 1895 with the cornetist Buddy Bolden, whom Adrian Troy called Jazz’s first great exponent. Bolden was depicted by Michael Ondaatje in his 1976 novella Coming through Slaughter as a jazz pioneer, struggling with alcoholic psychosis. Writing in The Times in 1992, Clive Davis also named Bolden the first legendary New Orleans jazz figure – legendary in that unlikely tales surround his mythical status, such as that ‘on certain nights, his playing could be heard miles away.’ Unfortunately, no recordings of Bolden are known to exist and despite the allure of rumored cylinder recordings dating to 1894 we only have the likes of Ondaatje’s novella to evoke the sound of one of the world’s first Jazz icons. Continue reading
Golf has a long and rich history, with countless books having been written on the origins and development of the game. But if a new history was to be written today with the help of Gale Primary Sources, how much would our knowledge be improved? My suspicion is that it would be improved a good deal, for even a relatively short period of research using Gale Primary Sources unearths thousands of interesting references to golf from the fifteenth century forward, many of which may never have been seen before. Here follows a select sample of the references to golf in the Gale historical collections that could potentially give us a better appreciation of the history of the game and the role it has played in society.
With Australian Heritage Week nearly upon us (16 – 24 April), the following is a post concerning a particular perspective of Australian colonial history, being a perspective that can be researched in detail with Gale Primary Sources collections. It concerns Australia’s paradoxical relationship with England since 1788, as reflected within the pages of London’s Punch magazine and its Australian editions – most of which can be seen in Gale Primary Sources collections, Punch Historical Archive, 1841 – 1992 and 19th Century UK Periodicals. Continue reading
Dorothy L. Sayers (1893-1957) is probably best remembered for her gripping crime novels, and her creation of the much-loved, aristocratic detective Lord Peter Wimsey. It is perhaps less commonly known that, beyond her carefully-woven fictional tales, Sayers also possessed a keen interest in politics and current affairs. In August 1940, it was this interest that prompted Sayers to deliver a speech at Chatham House, the Royal Institute of International Affairs, in London.
Sayers’ speech was entitled The Mysterious English, and the 15-page transcript has been digitised as part of the Chatham House Online Archive .1 As one would expect, the oration is full of Sayers’ characteristic wit and humour, and the document offers a unique insight into the author’s attitudes and opinions. Continue reading