Tag Archives: The Illustrated London News Historical Archives

Alemania Nazi, Antigua Roma: la apropiación de la cultura clásica para la formulación de la identidad nacional

Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway
Paula Maher Martín estudia su último año de Literatura Inglesa y Clásicas en la National University of Ireland, en Galway. Interesada en el lenguaje como un medio para reflejar y transcender de manera simultánea la experiencia humana, planea realizar investigación de posgrado en Literatura Inglesa, centrada en la construcción metafísica de la realidad en la literatura modernista. Disfruta leer a Nancy Mitford, Leo Tolstoy, Evelyn Waugh o Gustavo Adolfo Bécquer, del viento, de la música del mundo, de vagar inmersa en abstracciones filosóficas, de escribir poesía en clase y de enamorarse de los personajes de los cuadros.

Para leer esta publicación de blog en inglés, haga clic aquí.

Germania, una descripción aparentemente inofensiva de los territorios, costumbres y tribus de los germanos por el historiador romano del siglo I Cornelio Tácito, fue ensalzada por los alemanes nazis como un estandarte: un retrato del ario primitivo; virtuoso, intrépido y fuertemente militarizado, cualidades que habían reverberado a lo largo de los siglos y que sustentaban la identidad racial del alemán moderno.

Continue reading

Nazi Germany, Ancient Rome: The appropriation of classical culture for the formulation of national identity

By Paula Maher Martín, Gale Ambassador at NUI Galway
Paula Maher Martín is a third-year student of English and Classics at the National University of Ireland, Galway. Interested in language as a means of simultaneously reflecting and transcending human experience, she plans to do postgraduate research in English, with a focus on the metaphysical construction of reality in Modernist literature. She enjoys reading Nancy Mitford, Leo Tolstoy, Evelyn Waugh or Gustavo Adolfo Bécquer, the wind, the music of the world, wandering immersed in philosophical abstractions, writing poetry in lectures and falling in love with characters in paintings. Paula is blogging for Gale in both English and Spanish.

To read this blog in Spanish, click here.

The Germania, an apparently harmless description of the territories, customs and tribes of the Germani by 1st century Roman historian Cornelius Tacitus, was acclaimed by Nazi Germans as a banner: a portrait of the primitive Aryan; ‘virtuous, fearless and heavily militarized’, qualities the Nazis felt had reverberated through the centuries and supported the racial identity of the modern German.

Continue reading

La creación de un “personaje”: individualidad y vida universitaria en la obra A este lado del paraíso de F. Scott Fitzgerald

Por Paula Maher Martin, Gale Ambassador en la Universidad NUI Galway
Paula Maher Martín estudia su último año de Literatura Inglesa y Clásicas en la National University of Ireland, en Galway. Interesada en el lenguaje como un medio para reflejar y transcender de manera simultánea la experiencia humana, planea realizar investigación de posgrado en Literatura Inglesa, centrada en la construcción metafísica de la realidad en la literatura modernista. Disfruta leer a Nancy Mitford, Leo Tolstoy, Evelyn Waugh o Gustavo Adolfo Bécquer, del viento, de la música del mundo, de vagar inmersa en abstracciones filosóficas, de escribir poesía en clase y de enamorarse de los personajes de los cuadros.

Para leer esta publicación de blog en inglés, haga clic aquí.

Como “un miembro de la ‘Generación perdida’ o una encarnación de juventud y belleza (condenada a desvanecerse)”, así retrató a Francis Scott Fitzgerald el The Times Literary Supplement en 1958. Consolidado como una figura mítica a lo largo del siglo XX, su escritura se sobrepuso con su personaje y reverberó con espumoso champán y caricias de jazz: la dulce indolencia de los años 20. Su primera novela A este lado del paraíso, publicada en 1920, pronto se convirtió en un best-seller. De acuerdo a The Times, en 1921 Fitzgerald ya había vendido 75,000 copias de su opera prima.

Continue reading

The creation of a ‘personage’: individuality and university life in F. Scott Fitzgerald’s This Side of Paradise

By Paula Maher Martin, Gale Ambassador at NUI Galway
Paula Maher Martín is a third-year student of English and Classics at the National University of Ireland, Galway. Interested in language as a means of simultaneously reflecting and transcending human experience, she plans to do postgraduate research in English, with a focus on the metaphysical construction of reality in Modernist literature. She enjoys reading Nancy Mitford, Leo Tolstoy, Evelyn Waugh or Gustavo Adolfo Bécquer, the wind, the music of the world, wandering immersed in philosophical abstractions, writing poetry in lectures and falling in love with characters in paintings. Paula is blogging for Gale in both English and Spanish.

To read this blog in Spanish, click here

A member of the ‘Lost Generation’ or a personification of youth or beauty (doomed to fade), thus is Francis Scott Fitzgerald portrayed in The Times Literary Supplement in 1958. Consolidated as a figure of myth over the 20th century, his writing overlaps with his persona and reverberates with foaming champagne and jazz caresses, the sweet indolence of the 1920s. His first novel, This Side of Paradise, published in 1920, became an instant best-seller; according to The Times, Fitzgerald had already sold 75,000 copies of his opera prima by 1921.

Continue reading

James Greenwood – Social Reformer or Opportunist?

by Rory Herbert
I am a third year History student and President of the History Society at the University of Portsmouth. I enjoy trying to grapple with the vastness and complexity of this subject, and the challenges it can present. On the rare occasions that I have free time, I can be found playing hockey or researching historical facts and events.

James Greenwood was an author of relative obscurity who came to fame abruptly following the publication of his serial A Night in the Workhouse in the 1860s by the Pall Mall Gazette. He soon found himself rising through the ranks of the Victorian social ladder and became one of the leading social commentators of his age. This revolutionary piece saw Greenwood experience the conditions of a workhouse firsthand in one of the first examples of investigative journalism. Yet, while his work was quickly adopted by social reformers and critics alike, it seems the author himself was somewhat less interested in the people he claimed to support and, instead, focused on appealing to a wider audience.

Continue reading