Tag Archives: The Sunday Telegraph

The Only Way is Wessex: Thomas Hardy’s Cultural Impressions

By Daniel Mercieca, Gale Ambassador at Durham University
Daniel Mercieca is an English Literature finalist, and President of both the English Literature Society and Bede Film Society at Durham University. His main research interests are Film Aesthetics and Screen Adaptation, with further interests in twentieth-century poetry and Romantic poetry. Dan enjoys the independence of thought, interdisciplinary and experimental aspects of studying English and aims to achieve a Master’s in Film and/or Literature. Dan enjoys lyricism and landscapes in the works of Thomas Hardy, Virginia Woolf, Samuel Taylor Coleridge, Charlotte Smith and Toni Morrison. His favourite directors include Alfred Hitchcock, Darren Aronofsky, Martin Scorsese and Christopher Nolan for their suspense, soundtracks and cinematography. If he is not reading books or watching films then he is probably writing, running or trying something new.

“She was not an existence, an experience, a passion, a structure of sensations, to anybody but herself. To all humankind besides Tess was only a passing thought. Even to friends she was no more than a frequently passing thought.” [i]

The well-trodden Dorsetshire heathlands, bustling rustic communities and evanescent ghosts from Thomas Hardy’s folkloric world, Wessex, continue to impress memories of English rural heritage. Hardy’s sensitive capturing of ‘mere impressions of the moment’ in prose and poetry; the cascade of raindrops on a gate, hazy warmth of a barn dance or ghostly silhouette of a horse rider in sea mist, reinvigorates our appreciation of ordinary experience [ii]. This year marks the 90th anniversary of Hardy’s final collection of verse, Winter Words in Various Moods and Meters (1928), whose sombre cadences echo amongst later generations of modern poets and can be found in The Times Historical Archive. The continual resurgence of Hardy’s works in dramatic and televisual adaptations, modern poetry and National Trust Heritage fosters a Wessex mythology which remains vibrant today.

Continue reading

Waugh in Print

By Daniel Mercieca, Gale Ambassador at Durham University
Daniel Mercieca is an English Literature finalist and President of both the English Literature Society and Bede Film Society at Durham University. His main research interests are imagined spaces in film and screen adaptation, with further interests in memory and motion in twentieth-century and Romantic poetry. Dan enjoys the independence of thought, interdisciplinary and experimental aspects of studying English and aims to achieve an MA in Film and/or Literature. Dan enjoys lyricism and landscapes in the works of Thomas Hardy, Virginia Woolf, Samuel Taylor Coleridge, Charlotte Smith and Sylvia Plath. His favourite directors include Alfred Hitchcock, Darren Aranofsky, Martin Scorsese and Christopher Nolan for their suspense, soundtracks and cinematography. If he is not reading books or watching films then he is probably writing, running or trying something new.

Evelyn Waugh is best known today for his delicately crafted satirical novels of the 1930s including Decline and Fall, Vile Bodies and Scoop. Only in Waugh do you find such precise comic timing and snappy diction: “Who’s that dear, dim, drunk little man?’ ‘That is the person who shot my son.’ ‘My dear, how too shattering for you. Not dead, I hope?” (Decline and Fall).

Continue reading