By Tiria Barnes, Gale Ambassador at the University of Liverpool I am currently a third-year History student at the University of Liverpool, hoping to graduate with an extensive knowledge of the Transatlantic Slave Trade and good quality banter. When I’m not in the library plugging Gale’s amazing resources, I am usually in a hipster independent coffee shop sipping on a cheeky chai latte. Some of my passions include Jesus, street dance, and charity shops.
On the 25th of March 1807, the British Parliament passed the Abolition of the Slave Trade Act which prohibited the carrying of slaves in British ships. While it is important to note that this did not outlaw slavery itself, which came about in 1833 as a result of the Emancipation Act, 1807 was a significant step in the right direction. Two hundred years later, the UK commemorated the bicentenary of the act, and attempted to reflect on the brutality of slavery . Using Gale Primary Sources, I thought it would be interesting to study how this was reported in the media, taking note of the ways in which newspapers depicted the actions taken by the UK as part of the commemoration.
By Megan Murphy, Gale Ambassador at the University of Liverpool I’m a third year History student at the University of Liverpool, a Gale Student Ambassador, and a self-proclaimed Jane Austen fanatic. As a modern historian, my main research interests revolve around the development of Victorian cities – particularly the crime and deviance that took place within them. Outside of my studies, in the rare time I spend without my head in a nineteenth-century newspaper, I specialise in binge-watching Louis Theroux documentaries.
The hit BBC drama series Peaky Blinders – which is set in Birmingham and follows the lives of the Shelby brothers and their criminal gang the ‘Peaky Blinders’ – has captivated the minds and imagination (and – thanks to lead star Cillian Murphy – the hearts) of the British public. Given the recent fascination with Birmingham’s criminal underworld that the series has generated, I thought it would be interesting to use Gale Primary Sources to investigate the ‘real’ Peaky Blinders of late nineteenth-century Birmingham.