This is the second of two posts exploring how lively debate and strong clashes of opinion have coloured the British press at certain historical moments. My first post looked at the differing opinions printed prior to, and during, WWI. Firstly, this showed that opinion was split on the likelihood of war in Europe, and then, once Europe had indeed plunged into a long and bitter war, news commentators clashed on the leadership of the British army – a debate which spiralled on in the succeeding decades. (Click here to read the first post.) I’ll now be turning to the broad landscape of opinions and commentary which permeated the British press in response to the rise of fascism. Interestingly, as well as some of the most well-known arguments, this post brings to the fore views which have now been side-lined, discredited or simply eclipsed by modern interpretations. Continue reading
The Daily Telegraph newspaper is known for its ‘high tone’ and has acquired a reputation for being ‘serious, popular and pioneering’ over the years. A sign of its status can be traced back to the Second World War, where its editor’s willingness to depart from convention ensured the newspaper’s critical involvement in the War’s outcome. For the newspaper did not simply stand back and report on events, although the work of first female war correspondent Clare Hollingworth should not be downplayed, but unwittingly engaged itself in the Allied cause. Continue reading
The New Year often brings a sense of “out with the old, in with the new”. For the fashion-conscious, it’s a good excuse to revamp ones wardrobe and go shopping. These days it’s easy to buy new clothes every season, but it was very different during the Second World War. Then, clothing was rationed and had to be reused as much as possible. Once the war was over, the “out with the old” attitude finally prevailed over rationing, culminating in Christian Dior’s ground-breaking ‘New Look’. I used Picture Post and other newspaper archives in Gale Artemis: Primary Sources to track changing attitudes to fashion in the newspapers and magazines of the time. Continue reading
Dorothy L. Sayers (1893-1957) is probably best remembered for her gripping crime novels, and her creation of the much-loved, aristocratic detective Lord Peter Wimsey. It is perhaps less commonly known that, beyond her carefully-woven fictional tales, Sayers also possessed a keen interest in politics and current affairs. In August 1940, it was this interest that prompted Sayers to deliver a speech at Chatham House, the Royal Institute of International Affairs, in London.
Sayers’ speech was entitled The Mysterious English, and the 15-page transcript has been digitised as part of the Chatham House Online Archive .1 As one would expect, the oration is full of Sayers’ characteristic wit and humour, and the document offers a unique insight into the author’s attitudes and opinions. Continue reading